Title1 = Text(app, text="Background color")īg_combo = Combo(app, options=colors, selected=app.bg, command=update_bg)
from guizero import App, Combo, TextĬolors = Your app doesn't have to use the standard colors and text, let your user pick the background and text color from 2 combo's. Stop_button = PushButton(app, command=stop, text="stop", enabled=False) Start_button = PushButton(app, command=start, text="start") Have 2 buttons, start and stop with them changing the enabled state of each other. Use a Picture object to display an image. Label = Text(app, text="What's your name?")īutton = PushButton(app, command=update_text) from guizero import App, TextBox, PushButton, Text Use a PushButton to display a message when the button is pressed. Name = TextBox(app, text="Enter your name") Get some data from the user using a TextBox. Hello WorldĬreate a guizero app and display some text. Don't be restricted to these ideas, check out Using guizero and the widgets. This clearly marked a separation from his old ways, the audience was now the performer.These are examples of how you can use guizero to create user interfaces. His sound installation “Obsolescencia Post/Programada” for the Lexus Grant for Emerging Artists was driven by audience interaction via video camera. He then built mixers, began focusing on sculpture and incorporating elements for interaction with the audience, such as video capture. Building oscillators for sequencers lead to finding new sounds, which replaced the toys altogether. “because I don’t need an Arduino for everything”.Īnd into the rabbit hole he went. He started by building modifications to his circuit bent toys to improve their stability, and using Arduino to create sequences, but soon had the realization that this could be overkill… To address this, Eduardo has delved into the realm of building his own circuits. Circuit bent toys have a very limited life span, sometimes just hours. Since circuit bending is also very time sensitive. The change in time sets of a chain reaction. Instead of having only one chance, a window of opportunity, to experience Eduardo’s sound art, people can stay as long as they feel like then come back to it later.
In this setting, the audience engages the work on their own terms. The concept of time is totally different. For Eduardo, that means transitioning from live performance to installation and automation. The search for new spaces points to the art gallery, and that means the method of delivery must also change. Although there where a few outlets for live electronic performers, such as $5 shows we organized ourselves and the occasional accompaniment to contemporary dance, there didn’t seem to be a feasible way to make a living doing that. I asked him what the cause for this shift was and his response was something that I knew all too well… “There is not much there”, referring to the possibility of making a living as an experimental musician in Puerto Rico. But after years of live performances, he’s now focused on installation work and (perhaps unwittingly) exploring audience interactivity. Eduardo has shown a steady evolution, starting with his early days (around 2010) of Circuit Bending effects pedals and cheap toys, and hacking/preparing guitars to produce powerful and destructive sound performances, he blasted on to Puerto Rico’s noise scene.
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